
Imagining Somewheres
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Imagining Somewheres is an interdisciplinary undertaking, combining visual art, virtual reality, and decolonial theory to explore hope beyond the known and solidarities across difference.
This two-fold project – consisting of an abstract VR piece, an installation, and a written thesis – investigates obstruction as a beginning and its role in future-building.

In March–April 2019, the full VR installation was shown at Skånes konstförening as part of The appearance and disappearance of futures and pasts exhibition.
In 2018, I collaborated with Sydney-based architect/designer Shuang Wu on sister/scapes, which featured the VR portion of this work.
The audio is a recording of Ocean Vuong reading his own poem “Someday I'll Love Ocean Vuong” from his collection Night Sky with Exit Wounds (2016).
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As my master’s thesis for the Visual Culture program at Lund University, this project critically examines raced and gendered embodiment, solidarities, and radical hope.
I completed Imagining Somewheres with help from the Chinese American Museum Los Angeles, producer Michi Lantz Jörgensen, The Humanities Lab, and Professor Floyd Cheung (Smith College).